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    \n

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    \nMACRO Testaccio
    Mostre

    Prima mostra personale in un museo italiano dell’artista americano Josh Smith, nato nel Tennessee nel 1976 ma residente a New York, la cui ricerca si fonda su tecniche come la pittura su carta, il collage, l’incisione e l’edizione di libri d’artista, che Smith considera a tutti gli effetti delle opere in sé.

    Leggi tutto\n
    \n \n \n\n \n \n \n\n ", "css_files" => array( "jquery.fancybox.css" ) ); $arr_1 = array( 1 => "1" ); $arr_2 = array( "ez_lock/not_locked" ); $TemplateInfo = array( "original_key" => "7a34309d905085ced81a60f86ad35f18", "key" => "7a34309d905085ced81a60f86ad35f18-clean", "uri" => "design:page_footerboxes.tpl", "debug" => false, "resource" => "design", "template_path" => "page_footerboxes.tpl", "resource_parameters" => array( "ezdesign:used_keys" => array( "object" => "1174", "node" => "648", "parent_node" => "87", "class" => "17", "view_offset" => false, "navigation_part_identifier" => "ezcontentnavigationpart", "viewmode" => "full", "depth" => "3", "remote_id" => "ff8967764ea769f4d3e1704f3c1533dc", "node_remote_id" => "c5a10d7bf8be4431cdacfcc3351e0160", "url_alias" => "", "persistent_variable" => $arr_0, "class_group" => false, "parent_class_id" => "16", "parent_class_identifier" => "snodo", "state" => $arr_1, "state_identifier" => $arr_2, "section" => "1", "class_identifier" => "homepage" ), "ezdesign:matched_keys" => array() ) ); $arr_3 = array( array( 1, 70, 74 ), array( 3, 0, 76 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_7 = array( "", 2, "mc_context" ); $arr_8 = array( array( 3, "root_node", false ) ); $arr_9 = array( array( 3, "node_id", false ) ); $arr_10 = array( "array", array( array( 1, "footerboxes", false ) ) ); $arr_6 = array( "hash", array( array( 1, "parent_node_id", false ) ), array( array( 4, $arr_7, false ), array( 5, $arr_8, false ), array( 5, $arr_9, false ) ), array( array( 1, "class_filter_type", false ) ), array( array( 1, "include", false ) ), array( array( 1, "class_filter_array", false ) ), array( array( 6, $arr_10, false ) ) ); $arr_5 = array( "fetch", array( array( 1, "content", false ) ), array( array( 1, "list", false ) ), array( array( 6, $arr_6, false ) ) ); $arr_4 = array( "footerboxes_nodes" => array( array( 6, $arr_5, false ) ) ); $arr_11 = array( array( 3, 0, 77 ), array( 6, 87, 374 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_12 = array( array( 6, 87, 375 ), array( 7, 0, 376 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_14 = array( 7, 27, 405 ); $arr_15 = array( 10, 8, 443 ); $arr_16 = array( 2, false, " ", array( array( 10, 60, 497 ), array( 11, 12, 510 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_18 = array( 4, array( "", 2, "attribute" ), false ); $arr_19 = array( 4, array( "", 2, "mc_context" ), false ); $arr_20 = array( 5, array( array( 3, "root_node", false ) ), false ); $arr_17 = array( 4, false, "attribute_view_gui", array( "attribute" => array( $arr_18 ), "root_node" => array( $arr_19, $arr_20 ) ), array( array( 11, 12, 511 ), array( 11, 83, 582 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_21 = array( 2, false, " ", array( array( 11, 83, 583 ), array( 12, 8, 592 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_23 = array( 2, 0, false ); $arr_24 = array( 3, "data_map", false ); $arr_22 = array( array( 4, array( "", 2, "footerboxes_nodes" ), false ), array( 5, array( $arr_23 ), false ), array( 5, array( $arr_24 ), false ) ); $arr_25 = array( array( 4, array( "", 2, "attribute" ), false ) ); $arr_26 = array( 10, 8, 444 ); $arr_27 = array( 10, 60, 496 ); $arr_28 = array( 12, 15, 602 ); $arr_29 = array( 16, 6, 657 ); $arr_30 = array( null, null, null ); $arr_31 = array( null, null, null ); $arr_32 = array( 22, 17, 822 ); $arr_33 = array( 25, 0, 838 ); $arr_13 = array( array( 2, false, "\n
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    Leggi tutto\n
    \n \n \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    21/05 - 13/09/2015
    \n
    \nAll the possible combinations of twelve lights lighting (one at a time)
    \nMACRO Via Nizza
    Mostre

    Jonathan Monk (Leicester, UK, 1969) ha parcheggiato la sua Vespa PK all'interno del museo, con le luci accese. Il faro di testa, quello di coda, le frecce, le luci dei freni e quelle sul cruscotto si accendono e si spengono in un ordine apparentemente casuale.

    \n
    \n
    \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    17/04 - 13/09/2015
    \n
    \nMACRO Via Nizza, Project room #1 e #2
    Mostre

    L'artista greco Nakis Panayotidis presenta una selezione di opere realizzate negli ultimi dieci anni, che fanno parte di una scelta delle opere in mostra al Kunstmuseum Bern fino allo scorso 15 marzo per la sua retrospettiva Nakis Panayotidis. Seeing the Invisible.

    \n
    \n
    \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    15/05 - 13/09/2015
    \n
    \nMACRO Via Nizza
    Mostre

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    Page d'accueil > Itinéraire par salles > Musée du Palais des... > Zone du Temple de Jupiter Capitolin
    Cour Grand escalier Salles Castellani Salle des Fastes Modernes Salles des Horti Lamiani Salles des Horti Tauriani-Vettiani Salles des Jardins de Mécène Galerie Exèdre de Marc Aurèle Zone du Temple de Jupiter Capitolin Salle du Moyen-âge

    Musée du Palais des Conservateurs

    Le Palais des Conservateurs, au cours des siècles siège de l’homonyme magistrature de la ville, a abrité depuis le XVe siècle les sculptures de la collection capitoline. L’architecture interne du palais et l’aménagement des œuvres a différemment changé avec le temps. Colloquées en origine dans le portique extérieur au rez-de-chaussée, sur la façade et dans la cour, ensuite les sculptures sont été utilisées aussi pour décorer les pièces du premier étage. Le nom de Musée du Palais des Conservateurs, avec l’agrandissement des espaces pour les expositions, a été adopté en 1876.

    La restauration complétée en 2005 a modifié radicalement l’aspect de cette section muséale, à travers la réalisation d’une grande salle à vitrine pour les grands bronzes capitolins, le réaménagement des salles des Horti romains et de la Collection Castellani et la création d’un ample secteur dédié au temple de Jupiter Capitolin.

    Zone du Temple de Jupiter Capitolin

    Musée du Palais des Conservateurs - Zone du Temple de Jupiter Capitolin

    Du temple a été dégagée une partie des impressionnants embasements en blocs d’affleurement qui, à travers la couche argileuse superficielle, s’appuient sur le banc en tuf sous-jacent. Ce mur appelé "Mur Romain" a été en outre libéré des murs modernes qui le recouvraient, er ensuite restauré et bien mis évidence, seule structure du podium conservée jusqu'au sommet, où l'on peut encore trouver une consistante couche de ciment de l'époque romaine. 

    La lumineuse galerie ouverte sur le Jardin Caffarelli, réalisée dans la zone des anciennes écuries du Palais, offre la possibilité d’admirer pour la première fois, avec un riche ensemble de dessins de reconstruction et des maquettes, les extraordinaires résultats de l’exploration archéologique, complétée en 2000 dans la zone du "Jardin Romain", qui a représenté l’indispensable phase préliminaire à la réalisation de la grande exèdre de Marc Aurèle. 
                               
    Le grand temple de Jupiter, Junon et Minerve, voulu par les rois Tarquin l’Ancien et Tarquin le Superbe au VIème siècle av.J.-C., reconstruit plusieurs fois au cours des siècles (on se souvient en particulier par leur caractère grandiose des reconstructions du Ier siècle av.J.-C. et celle de Domitien du Ier siècle av.J.-C.), systématiquement détruit à l’ère post-antique et utilisé comme carrière de matériaux précieux, il stupéfie encore aujourd’hui par ses extraordinaires dimensions, heureusement identifiables : les cloisons du podium en blocs de tuf de l’époque des Tarquin couvrent en effet une zone correspondant à la largeur du palais Caffarelli du seizième, actuellement annexé à l’ensemble des Musées du Capitole, et de son jardin.

    Le temple fut inauguré par le consul M. Horatius Pulvillus au début de la période républicaine, le 13 septembre 509 av.J.-C.
     Pour sa réalisation, qui demanda un important engagement financier, furent convoquées des ouvriers étrusques : on se rappelle la participation du sculpteur de terre cuite Vulca de Veies auquel fut commandée la statue de Jupiter et peut-être aussi le grand quadrige à placer au sommet du toit; à propos de ce dernier on raconte que celui-ci, une fois modelé et mis dans le four, s’agrandit démesurément: le prodige fut considéré comme annonciateur de la future grandeur de Rome.

    Le bâtiment conserva au fil des ans ses principales caractéristiques architectoniques: son plan (m 62 x 54), presque carré, était occupé sur environ la moitié de la profondeur par un triple rang de six colonnes basses et espacées, et, pour l’autre moitié, par les trois cellae dédiées à la triade Capitoline; fermé dans sa partie arrière, il présentait des colonnades sur les côtés; le sol était à peu de choses près à la hauteur de la terrasse Caffarelli.

    Le Capitole, par rapport aux autres cols romains, se targuait d’une une primauté absolue: celle d’avoir été durablement habité de nombreux siècles avant les autres.
     Cette primauté, déjà connue des Romains, qui identifiaient la “Ville de Saturne” comme le village primitif, a été confirmée pour la première fois de façon indiscutable : les recherches archéologiques menées dans le Jardin Romain, aujourd’hui Exèdre de Marc Aurèle, ont en effet permis de dater l’origine du village du Capitole au milieu de l’âge de Bronze ( XVII-XIVèmes siècles av.J.-C.).
     Les matériaux qui en attestent la longévité, placés dans les vitrines, témoignent de la présence d’un habitat aussi bien à l’époque archaïque qu’aux âges du Fer et du Bronze.
    La zone concernée par la fouille, un bord de l’ancien Capitolium, comprenait une partie des fondations du côté oriental du temple de Jupiter et la zone immédiatement adjacente.
    Le creusement de la fosse de fondation du côté du temple, profonde d’environ 8 m., a en outre permis de faire la lumière sur certains détails de construction de l’édifice.

    Zone du Temple de Jupiter Capitolin

    Elément architectural
    VIe siècle apr. JC.
    Elément architectural
    Fin du VIe siècle av. JC.
    Elément architectural
    Deuxième moitié du VIe siècle av. JC.
    inv. AntCom14914
    Elément architectural
    Deuxième moitié du VIe siècle av. JC.
    inv. AntCom15800
    Vaiselle
    VIe siècle av. JC.
    inv. AntCom17410
    Instrument, outil, objet d'usage
    VIe siècle av. JC.
    inv. AntCom27876
    Elément architectural
    Ve siècle av. JC.
    inv. AntCom03363

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