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    \n

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    \nMACRO Testaccio
    Mostre

    Prima mostra personale in un museo italiano dell’artista americano Josh Smith, nato nel Tennessee nel 1976 ma residente a New York, la cui ricerca si fonda su tecniche come la pittura su carta, il collage, l’incisione e l’edizione di libri d’artista, che Smith considera a tutti gli effetti delle opere in sé.

    Leggi tutto\n
    \n \n \n\n \n \n \n\n ", "css_files" => array( "jquery.fancybox.css" ) ); $arr_1 = array( 1 => "1" ); $arr_2 = array( "ez_lock/not_locked" ); $TemplateInfo = array( "original_key" => "7a34309d905085ced81a60f86ad35f18", "key" => "7a34309d905085ced81a60f86ad35f18-clean", "uri" => "design:page_footerboxes.tpl", "debug" => false, "resource" => "design", "template_path" => "page_footerboxes.tpl", "resource_parameters" => array( "ezdesign:used_keys" => array( "object" => "1174", "node" => "648", "parent_node" => "87", "class" => "17", "view_offset" => false, "navigation_part_identifier" => "ezcontentnavigationpart", "viewmode" => "full", "depth" => "3", "remote_id" => "ff8967764ea769f4d3e1704f3c1533dc", "node_remote_id" => "c5a10d7bf8be4431cdacfcc3351e0160", "url_alias" => "", "persistent_variable" => $arr_0, "class_group" => false, "parent_class_id" => "16", "parent_class_identifier" => "snodo", "state" => $arr_1, "state_identifier" => $arr_2, "section" => "1", "class_identifier" => "homepage" ), "ezdesign:matched_keys" => array() ) ); $arr_3 = array( array( 1, 70, 74 ), array( 3, 0, 76 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_7 = array( "", 2, "mc_context" ); $arr_8 = array( array( 3, "root_node", false ) ); $arr_9 = array( array( 3, "node_id", false ) ); $arr_10 = array( "array", array( array( 1, "footerboxes", false ) ) ); $arr_6 = array( "hash", array( array( 1, "parent_node_id", false ) ), array( array( 4, $arr_7, false ), array( 5, $arr_8, false ), array( 5, $arr_9, false ) ), array( array( 1, "class_filter_type", false ) ), array( array( 1, "include", false ) ), array( array( 1, "class_filter_array", false ) ), array( array( 6, $arr_10, false ) ) ); $arr_5 = array( "fetch", array( array( 1, "content", false ) ), array( array( 1, "list", false ) ), array( array( 6, $arr_6, false ) ) ); $arr_4 = array( "footerboxes_nodes" => array( array( 6, $arr_5, false ) ) ); $arr_11 = array( array( 3, 0, 77 ), array( 6, 87, 374 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_12 = array( array( 6, 87, 375 ), array( 7, 0, 376 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_14 = array( 7, 27, 405 ); $arr_15 = array( 10, 8, 443 ); $arr_16 = array( 2, false, " ", array( array( 10, 60, 497 ), array( 11, 12, 510 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_18 = array( 4, array( "", 2, "attribute" ), false ); $arr_19 = array( 4, array( "", 2, "mc_context" ), false ); $arr_20 = array( 5, array( array( 3, "root_node", false ) ), false ); $arr_17 = array( 4, false, "attribute_view_gui", array( "attribute" => array( $arr_18 ), "root_node" => array( $arr_19, $arr_20 ) ), array( array( 11, 12, 511 ), array( 11, 83, 582 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_21 = array( 2, false, " ", array( array( 11, 83, 583 ), array( 12, 8, 592 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_23 = array( 2, 0, false ); $arr_24 = array( 3, "data_map", false ); $arr_22 = array( array( 4, array( "", 2, "footerboxes_nodes" ), false ), array( 5, array( $arr_23 ), false ), array( 5, array( $arr_24 ), false ) ); $arr_25 = array( array( 4, array( "", 2, "attribute" ), false ) ); $arr_26 = array( 10, 8, 444 ); $arr_27 = array( 10, 60, 496 ); $arr_28 = array( 12, 15, 602 ); $arr_29 = array( 16, 6, 657 ); $arr_30 = array( null, null, null ); $arr_31 = array( null, null, null ); $arr_32 = array( 22, 17, 822 ); $arr_33 = array( 25, 0, 838 ); $arr_13 = array( array( 2, false, "\n
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    Leggi tutto\n
    \n \n \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    21/05 - 13/09/2015
    \n
    \nAll the possible combinations of twelve lights lighting (one at a time)
    \nMACRO Via Nizza
    Mostre

    Jonathan Monk (Leicester, UK, 1969) ha parcheggiato la sua Vespa PK all'interno del museo, con le luci accese. Il faro di testa, quello di coda, le frecce, le luci dei freni e quelle sul cruscotto si accendono e si spengono in un ordine apparentemente casuale.

    \n
    \n
    \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    17/04 - 13/09/2015
    \n
    \nMACRO Via Nizza, Project room #1 e #2
    Mostre

    L'artista greco Nakis Panayotidis presenta una selezione di opere realizzate negli ultimi dieci anni, che fanno parte di una scelta delle opere in mostra al Kunstmuseum Bern fino allo scorso 15 marzo per la sua retrospettiva Nakis Panayotidis. Seeing the Invisible.

    \n
    \n
    \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    15/05 - 13/09/2015
    \n
    \nMACRO Via Nizza
    Mostre

    La mostra espone opere dei maggiori artisti belgi del XX secolo e del XXI secolo, delineando una panoramica sull’arte e la cultura belga del periodo, sulle sue molteplici declinazioni e sul suo carattere iconoclasta, ironico e poetico.

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    06/05 - 23/08/2015
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    \nLa Pelanda - Centro di produzione culturale
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    Antologica che ripercorre i passaggi decisivi del lavoro artistico di Sergio Staino, esponendo circa 300 opere, tra disegni, acquerelli e lavori digitali, in un percorso affascinante che permette di cogliere le diverse sfaccettature e le diverse fasi dell'intensa attività creativa di uno dei nostri massimi disegnatori e vignettisti, nonché attento narratore e arguto critico del costume nazionale.

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    05/06 - 20/09/2015
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    \nMACRO Testaccio
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    Prima mostra personale in un museo italiano dell’artista americano Josh Smith, nato nel Tennessee nel 1976 ma residente a New York, la cui ricerca si fonda su tecniche come la pittura su carta, il collage, l’incisione e l’edizione di libri d’artista, che Smith considera a tutti gli effetti delle opere in sé.

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    Musei Capitolini

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    Page d'accueil > Histoire du musée > Musée Capitolin et Pinacothèque

    Vestibule et cour du Musée Capitolin (Charles-Joseph Natoire, 1700-1777 - Paris, Louvre, Cabinet des Dessins)

    L’aspect de la récolte a été modifié vers la deuxième moitié de 1500, avec l’entrée dans les collections capitolines d’un groupe imposant des sculptures, suite à la décision du pape Pieux V de libérer le Vatican des images « païennes » : les collections ont été augmentées avec des significatives témoignages artistiques et, à l’organisation historique jusqu’à ce moment dominante, s’est flanquée celle plus spécifiquement esthétique des nouvelles acquisitions.

    Avec la construction du Palais Neuf sur l’autre coté de la place il a été possible à partir de 1654 d’aménager de façon plus adéquate la grande quantité d’œuvres accumulées dans le Palais des Conservateurs, en en colloquant une partie dans l’édifice à peine construit.
    Pourtant, le Musée Capitolin a été ouvert au public seulement le siècle suivant, suite à l’acquisition de la collection de statues et des portraits du cardinal Albani par l’œuvre du pape Clément XII, qui l’a inauguré en 1734.

    Benedict XIV (qui y a colloqué aussi les fragments de la Forma Urbis sévérienne, le grand plan en marbre de la Rome ancienne) a fondé peu de décennies après, vers la moitié du XVIIIe siècle, la     Pinacothèque Capitoline, où confluèrent deux importantes collections privées, celle Sacchetti et celle Pio.

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